It was nice to know that my project was always there, ready and waiting for me, whether I was opening it on my desktop, laptop, or iPad. Note that this is the case only for version 18 onwards.Īnother feature that makes for a seamless workflow is the fact that projects can be stored and opened using BlackMagic’s Cloud storage or Google Drive. A project is represented the same no matter what platform you’re working on which makes switching between the two seamless and pain-free. There is no conversion required or editing work lost between the two. I was particularly impressed to discover that DaVinci Resolve DRP files can be opened and created in both the iPad and desktop versions. In this area, I found it to be surprisingly compatible, nestling into my workflow with simplistic ease. Workflow compatibilityīecause the iPad version isn’t yet in the position to become the sole piece of hardware for professional video editors, it is vital to make sure that it fits in well with your overall workflow. I found the overall editing process to be not much different between that and the iPad, especially considering the similar screen sizes. My main mobile editing hardware is a 15-inch MacBook Pro. It can be tricky to know what to do when and DaVinci Resolve still has some work to do, in my opinion, to the responsiveness of some elements. I found the interaction between the Speed Editor and DaVinci Resolve to be seamless and intuitive and would highly recommend the investment.Īs with any tablet app you’ll need to get used to when to do a short press or long press. The Apple Pencil makes the process, particularly regarding colour grading, much more intuitive, natural, and an extension of your body. The Speed Editor, which can be used on desktop and iPad versions, makes the editing process similar across the two platforms. The interface is relatively hard to work with unless you have some additional hardware such as Black Magic’s Speed Editor or an Apple Pencil. It includes all the tools you would expect for an NLE and, for existing DaVinci Resolve users, what you are used to already. Over time its feature set has been extended to the point that it is beginning to rival other NLEs such as Premiere Pro or Final Cut Pro.įor a full review of DaVinci Resolve’s features, head over to our DaVinci Resolve review, and for a review of the new features in 18.5 head to our new DaVinci Resolve Studio 18.5 review.ĭaVinci Resolve for iPad is almost identical in design to the desktop version. After all, that's the only way to see whether DaVinci Resolve for iPad can compete with the best apps for video-editing or indeed the best video-editing software overall.ĭaVinci Resolve began life as a colour-grading program and continues to provide industry-standard colour-grading tools. To put it through its paces I decided to edit a fairly complex project so that I would hit up against any limitations if there were any. I’ve had the privilege of testing this iPad release using their Speed Editor hardware. Ultimate respect to the DaVinci team for getting in there first. This is something I’m really surprised about mainly because I would have expected Apple to have lined up the release of the M2 chip with a release of Final Cut Pro. In the Non-Linear Editor (NLE) market it even beat Final Cut Pro in the race to the App store. One of the most pro apps for the iPad, released to date, is DaVinci Resolve.
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